Babbitt, Milton
Musical-theatrical works
Fabulous Voyage (musical, R. Childs, R. Koch, Babbitt), 1946
Orchestral and large ensemble
Generatrix, 1935, inc., withdrawn
Composition for Str Orch, 1940, withdrawn
Sym., 1941, inc., withdrawn
Into the Good Ground, film score, 1949, inc., withdrawn
Relata I, 1965
Relata II, 1968
Ars combinatoria, small orch, 1981
Conc. for Pf and Orch, 1985
Transfigured Notes, str orch, 1986
Conc. no.2, pf, orch, 1998
Choral
Music for the Mass I, SATB, 1940, withdrawn
Music for the Mass II, SATB, 1941, withdrawn
4 Canons, female chorus, 1968 [after Schoenberg]
More Phonemena, 12vv, 1978
An Elizabethan Sextette, female chorus 6vv, 1979
Glosses,
boys' choir, 1988
Vocal music
Three Theatrical Songs, 1v, pf, 1946 [from musical Fabulous Voyage]
The Widow's Lament in Springtime (W.C. Williams), S, pf, 1950
Du (Stramm), song cycle, S, pf, 1951
Vision and Prayer, S, pf, 1954, unpubd, unperf.
2 Sonnets (G.M. Hopkins), Bar, cl, va, vc, 1955
Composition for Tenor and 6 Insts, T, fl, ob, vn, va, vc, hpd, 1960
Sounds and Words, S, pf, 1960
Phonemena, S, pf, 1969-70
A Solo Requiem (W. Shakespeare, Hopkins, G. Meredith, Stramm, J. Dryden), S, 2 pf, 1976-7
The Head of the Bed (J. Hollander), S, fl, cl, vn, vc, 1982
The Virginal Book, C, pf, 1988
4 Cavalier Settings (R. Herrick, T. Carew), T, gui, 1991
Mehr 'Du' (Stramm), Mez, va, pf, 1991
Quatrains, S, 2 cl, 1993
No Longer
Very Clear, S, fl, cl, vn, vc, 1994
Chamber music
Str Trio, 1941, withdrawn
Composition for 4 Insts, fl, cl, vn, vc, 1948
Composition for 12 Insts, wind qnt, tpt, hp, cel, str trio, db, 1948, rev. 1954
Str Qt no.1, 1948, withdrawn
Composition for Va and Pf, 1950
Ww Qt, 1953
Str Qt no.2, 1954
All Set, a sax, t sax, tpt, trbn, db, pf, vib, perc, 1957
Sextets, vn, pf, 1966
Str Qt no.3, 1969-70
Str Qt no.4, 1970
Arie da capo, fl, cl + b cl, pf, vn, vc, 1973-4
Paraphrases, fl, ob + eng hn, cl, b cl, bn, hn, tpt, trbn, tuba, pf, 1979
Dual, vc, pf, 1980
Str Qt no.5, 1982
Groupwise, pic + fl + a fl, vn, va, vc, pf, 1983
Four Play, cl, vn, vc, pf, 1984
The Joy of More Sextets, vn, pf, 1986
Fanfare, 4 hn, 4 tpt, 3 trbn, tuba, 1987
Souper, spkr, fl, cl, vn, vc, pf, 1987
Whirled Series, a sax, pf, 1987
The Crowded Air, fl, ob, cl, bn, pf, mar, gui, vn, va, vc, db, 1988
Consortini, fl, pf, vib, mar, vc, 1989
Soli e Duettini, 2 gui, 1989
Soli e Duettini, fl, gui, 1989
Soli e Duettini, vn, va, 1990
Counterparts, 2 tpt, hn, trbn, tuba, 1992
Septet, but Equal, 2 cl, cl + b cl, vn, va, vc, pf, 1992
Fanfare for All, 2 tpt, hn, trbn, tuba, 1993
Str Qt no.6, 1993
Accompanied Recitative, s sax, pf, 1994
Arrivals and Departures, 2 vn, 1994
Triad, cl, va, pf, 1994
Bicenquinquagenary Fanfare, 2 tpt, hn, trbn, tuba, 1995
Pf Qt, 1995
Qnt, cl, 2 vn, va, vc, 1996
When Shall
We Three Meet Again?, fl, cl, vib, 1996
Solo piano
3 Compositions for Pf, 1947
Duet, 1956
Semi-Simple Variations, 1956
Partitions, 1957
Post-Partitions, 1966
Tableaux, 1972
Minute Waltz (3/4 ± 1/8), 1977
Playing for Time, 1977
My Complements to Roger, 1978
About Time, 1982
Don, pf 4 hands, 1981
Canonical Form, 1983
Playing for Time, 1983
It Takes Twelve to Tango, 1984
Lagniappe, 1985
Overtime, 1987
In his Own Words, spkr, pf, 1988
Emblems (Ars Emblematica), 1989
Envoi, pf 4 hands, 1990
Preludes, Interludes and Postlude, 1991
Tutte le corde, 1994
Solo instrumental
My Ends are my Beginnings, cl, 1978
Melismata, vn, 1982
Sheer Pluck (Composition for Gui), 1984
Homily, snare drum, 1987
Beaten Paths, mar, 1988
Play it Again Sam, va, 1989
None but the Lonely Flute, fl, 1991
Around the Horn, hn, 1993
Manifold Music, org, 1995
Electo-acoustic music
Composition for Synthesizer, 4-track tape, 1961
Vision and Prayer (D. Thomas), S, 4-track tape, 1961
Ensembles for Synthesizer, 4-track tape, 1962-4
Philomel (Hollander), S, 4-track tape, 1964
Correspondences, str orch, tape, 1967
Occasional Variations, 4-track tape, 1971
Concerti, vn, small orch, tape, 1974-6
Phonemena, S, tape, 1975
Reflections, pf, tape, 1975
Images, sax, tape, 1979
Principal publishers
Associated
Boelke-Bomart
Peters
![]() |
||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||||||||
|
home | about MT | analysis | articles & essays | composers works | links | contac