S

Scelsi, Giacinto Stockhausen, Karlheinz Stravinsky, Igor

Stockhausen, Karlheinz

Musical-theatrical works

• Originale, music-theatre using Kontakte, 1961

• Inori [Adorations], mime, dancer, orch, 1973-4

• Atmen gibt das Leben, chorus, 1974; rev. as 'choral opera', chorus, orch/tape, 1977

• Herbstmusik, musical theatre for 4 players, 1974

• Harlekin, cl, 1975

• Der kleine Harlekin, cl, 1975
  

The Licht cycle

• Montag aus Licht [Monday from Light], 'modernes Orchester' - 14 vv, orchestra of electronic and/or amplified instruments, 1 actor, choir (tape or live), 21 actresses, children's choir, girls choir, greeting-3 acts-farewell, text by Stockhausen, 1984-8

  • Montags-Gruss (Eva-Gruss), basset hns, elec kbds/8-track tape, 1984-8 [greeting from Montag]; performable separately: 

    • Xi, melody inst with microtones

    • Xi, version for basset-hn

    • Xi, version for fl/a fl 
      
  • Evas Erstgeburt, 3 S, 3 T, B, chorus, children's chorus, orch, 8-track tape, actor, 1987 [Act 1 of Montag]; performable separately: 
    
    • Geburts-Fest, chorus, 4-track tape [3 parts performable separately:] 
      
      • Quelle des Lebens
        
      • Kinderspiel
        
      • Trauer mit Humor
        
    • In Hoffnung, 3 S, live or taped chorus, 'modernes Orchester', 8-track tape, actors, 1987 [scene from Evas Erstgeburt]; performable separately: 
      
      • Flautina, fl + pic + a fl, 1989
        
    • Geburts-Arien, 3 S, 3 T, live or taped chorus, children's vv ad lib, 'modernes Orchester', 8-track tape, 1987 [scene from Evas Erstgeburt]; performable separately: 
      
      • Erste Geburts-Arie, 3 S, live or taped chorus, children's vv ad lib, 'modernes Orchester', 8-track tape
        
    • Zweite Geburts-Arie, 3 S, 3 T, live or taped chorus, 'modernes Orchester', 8-track tape
      
    • Knaben-Geschrei mit Luzifers Zorn, 3 S, B, live or taped chorus, children's chorus, 'modernes Orchester', 8-track tape, 1987 [scene from Evas Erstgeburt]; performable separately: 
      
      • Luzifers Zorn, B, synth, tape, actor
        
    • Das grosse Geweine, 3 S, B, live or taped chorus, orch, tape, 1987 [scene from Evas Erstgeburt] 
      
  • Evas Zweitgeburt, 7 boy soloists, basset-hn, pf, chorus, girls' chorus, orch, 1984-7 [Act 2 of Montag]; performable separately: 
    
    • Mädchenprozession, a cappella version, female vv, pf
      
    • Mädchenprozession und Befruchtung mit Klavierstück - Wiedergeburt, girls' chorus, live or taped chorus, pf, 'modernes Orchester', 8-track tape, 1984-7 [3 scenes from Evas Zweitgeburt]; performable separately: 
      
      • Klavierstück XIV, 1984, 
        
    • Evas Lied, 7 boy soloists, basset-hn, 'modernes Orchester', 8-track tape, female chorus ad lib, 1986 [scene from Evas Zweitgeburt]; performable separately: 
      
      • Wochenkreis (Die sieben Lieder der Tage), 1v/melody inst, harmony inst ad lib
        
      • Wochenkreis, version for basset-hn, synth, rev. 1988 
  • Evas Zauber, basset-hn, a fl + pic, chorus, children's chorus, 'modernes Orchester', 8-track tape, 1984-6 [Act 3 of Montag]
    
    • Botschaft, basset-hn, a fl, (chorus, 'modernes Orchester')/(chorus, tape)/'modernes Orchester', 1984-5
      
    • Ave, basset-hn, a fl, 1984-5; performable separately: 
      
      • Evas Spiegel, basset-hn, 1984
        
    • Susani, basset-hn, 1985 
      
    • Susanis Echo, a fl, 1985 
      
    • Der Kinderfänger, a fl + pic (children's chorus, 'modernes Orchester', basset-hn ad lib)/'modernes Orchester'/tape, 1986; performable separately: 
      
      • Entführung, pic
  • Montags-Abschied (Eva-Abschied), children's chorus, pic, elec kbds, 1988 [farewell from Montag]; performable separately: 
    • Quitt, 3 pfmrs, 1989
      
    • Ypsilon, melody inst with microtones, 1989
      
    • Ypsilon, version for basset-hn, 1989
      
    • Ypsilon, version for fl, 1989
• Dienstag aus Licht [Tuesday from Light], 'modernes Orchester' - 3 vv, orchestra of electronic and/or amplified instruments, 4 dancer-mimes, actors, choir, greeting-2 acts with farewell, text by Stockhausen, 1977, 1987-91
  
  • Dienstags-Gruss (Willkommen mit Friedens-Gruss), S, chorus, 9 tpt, 9 trbn, 2 synth, 1987-8 [greeting from Dienstag]; performable separately:
     
    • Willkommen, tpts, trbns, 2 synth, 1988
      
    • Sukat, basset-hn, a fl, 1989 
      
  • Jahreslauf, T, B, 'modernes Orchester', 2-track tape, with opt. dancers/mimes, actors, 1977, rev. 1991 [Act 1 of Dienstag]; performable separately: 
    
    • Piccolo, pic, 1977 
      
    • Saxophon, s sax, bongo, 1977
      
    • Der Jahreslauf, concert version, 'modernes Orchester', 2-track tape, 1977, rev. 1991
      
  • Invasion - Explosion mit Abschied, S, T, B, 3 tpt (1 + flugelhorn), 3 trbn, 2 synth, 2 perc, 6 tpt and 6 trbn ad lib, chorus, 8-track tape, 1990-91 [Act 2 of Dienstag]; performable separately: 
    
    • Oktophonie, 8-track tape, 1990-91
      
    • Signale zur Invasion, trbn, elecs ad lib, 1992 
      
    • Pietà, flugelhorn, S ad lib, elecs, 1990-91 
      
  • Dienstags-Abschied, chorus, elec kbds (1 pfmr), elecs, 1991; performable separately: 
    
    • Synthi-fou (Klavierstück XV), elec kbds (1 pfmr), elecs, 1991
• Mittwoch aus Licht [Wednesday from Light],fl, basset-hn, tpt, trmb, str qt, B with short wave receiver, choir with singing conductor, orchestra, synth, 2 dancer-mimes, elecs, greeting-4 scenes-farewell, text by Stockhausen, 1993-8 
  
  • Mittwochs-Gruss, singing usherettes, 8-track tape, 1998 [greeting from Mittwoch] 
    
  • Welt-Parlament, chorus, 1995 [scene 1 of Mittwoch]
    
    • Licht-Ruf, (tpt, basset-hn, trbn)/(3 other insts), 1995
      
  • Orchester-Finalisten, orch, elecs, 1995-6 [scene 2 of Mittwoch]; performable separately: 
    
    • Oboe, ob, elecs, 1995-6 
      
    • Violoncello, vc, elecs, 1995-6
      
    • Klarinette, cl, elecs, 1995-6
      
    • Fagott, bn, elecs, 1995-6
      
    • Violine, vn, elecs, 1995-6
      
    • Tuba, tuba, elecs, 1995-6
      
    • Flöte, fl, elecs, 1995-6 
      
    • Posaune, trbn, elecs, 1995-6 
      
    • Viola, va, elecs, 1995-6 
      
    • Trompete, tpt, elecs, 1995-6 
      
    • Kontrabass, db, gong, elecs, 1995-6 
      
  • Helikopter-Streichquartett, str qt, 4 helicopters, TV and audio relay equipment, 1993 [scene 3 of Mittwoch] 
    
  • Michaelion, chorus, fl, basset-hn, tpt, trbn, B + short-wave receiver, synth, tape, 2 dancer-mimes, 1997 [scene 4 of Mittwoch]; performable separately: 
    
    • Thinki, fl, 1997
      
    • Bassetsu, basset-hn, 1997
      
    • Bassetsu-Trio, basset-hn, tpt, trbn, 1997
      
    • Rotary-Bläserquintett, 1997
      
    • Trumpetent, 4 tpt, elecs 1995
      
    • Litanei 97, chorus, 1997
• Mittwochs-Abschied, 8-track tape, 1996 
  
• Donnerstag aus Licht [Thursday from Light], 'modernes Orchester' - orchestra of electronic and/or amplified instruments, greeting-3 acts-farewell, text by Stockhausen, 1978-80
  
  •  Donnerstags-Gruss (Michaels-Gruss), 8 brass, pf, 3 perc, 1978 [greeting from Donnerstag]; performable separately: 
    
    • Michaels-Ruf, variable ens (8 parts), 1978 
      
    • Michaels-Ruf, version for 4 tpt, 1978
      
  • Michaels Jugend, T, S, B, basset-hn, tpt, trbn, pf, elec org/synth, chorus and insts on 8-track tape, 3 dancers/mimes, 1978-9 [Act 1 of Donnerstag]; performable separately: 
    
    • Unsichtbare Chöre, 8/2-track tape of a 16 channel a capella recording, 1979
      
    • Kindheit, T, S, B, basset-hn, tpt, trbn, 8-track and 2-track tapes, female dancer, 1979 [scene from Michaels Jugend]; performable separately: 
      
      • Tanze Luzefa!, basset-hn/b cl, 1978
        
      • Bijou, a fl, b cl, 2-track tape, 1978 
        
    • Mondeva, T, basset-hn (S, B, trbn, elec org/synth, 8-track and 2-track tapes, mime ad lib), 1978-9 [scene from Michaels Jugend] 
      
    • Examen, T, basset-hn, tpt, pf, dancer (S, B, 8-track and 2-track tapes, 2 dancer-mimes ad lib) 1979 [scene from Michaels Jugend]; performable separately: 
      
      • Klavierstück XII, 1979, rev. 1983
  • Michaels Reise um die Erde, tpt, orch, 1978 [Act 2 of Donnerstag]; performable separately: 
    
    • Eingang und Formel, tpt, 1978
      
    • Halt, tpt, db, 1978
      
    • Kreuzigung, tpt, 2 basset-hn, 2 hn, 2 trbn, tuba, elec org/synth, 1978
      
    • Mission und Himmelfahrt, tpt, basset-hn, 1978
      
    • Michaels Reise um die Erde, tpt, 9 insts, 1978, rev. 1984
      
  • Michaels Heimkehr, T, S, B, 2 s sax, basset-hn, tpt, trbn, elec org/synth, chorus, orch, 8-track and 2-track tapes, 3 dancer-mimes, old woman, 1980 [Act 3 of Donnerstag] 
    
    • Festival, T, S, B, 2 s sax, basset-hn, tpt, trbn, elec org/synth, choir, orch, 8-track and 2-track tapes, 3 dancer-mimes, 1980 [scene from Michaels Heimkehr]; performable separately: 
      
      • Drachenkampf, tpt, trbn, elec org/synth, perc ad lib, 2 dancers ad lib, 1980
        
      • Knabenduett, 2 s sax/other insts, 1980
        
      • Argument, T, B, elec org/synth (tpt, trbn, perc ad lib), 1980
        
    • Vision, T, tpt, hammond org/synth, 2-track tape, dancer (shadow play ad lib), 1980 [scene from Michaels Heimkehr]
      
  • Donnerstags-Abschied (Michaels-Abschied), 5 tpt/1 tpt in a 5-track tape, 1980 [farewell from Donnerstag] 
    
•  Freitag aus Licht [Friday from Light], S, Bar, B, fl, basset-hn, 12 couples of dancer-mimes, children's orchestra, children's choir, 12 choir singers, synth, elecs', greeting-2 acts-farewell, text by Stockhausen, 1991-4
  
  • Klavierstück XVI, pf, 12-/8-/2-track tape, elec kbds ad lib, 1995
    
  • Tonszenen vom Freitag, S, B, elec insts, 1991-4 [performable as Elektronische Musik mit Tonszenen vom Freitag aus Licht]
    
  • Weltraum (Freitags-Gruss und Freitags-Abschied), elecs, 1991-2, 1994 [greeting and farewell from Freitag] 
    
  • Freitag-Versuchung, S, Bar, B, fl, basset-hn, children's orch, children's chorus, 12 vv, 1 synth, elecs, 12 pairs of dancer-mimes, 1991-4 [Acts 1 and 2 of Freitag] 
    
    • Versuchung, S, Bar, B, fl, basset-hn, children's orch, children's chorus, 1 synth, elecs, 12 pairs of dancer-mimes, 1991-4 [Act 1 of Freitag]
      
      • Antrag, S, B, fl, basset-hn, elecs ad lib, 1994 [scene from Versuchung]; performable separately: 
        
        • Kinder-Orchester, S, fl, basset-hn, synth, children's orch, elecs ad lib, 1994, 
          
        • Kinder-Chor, B, children's chorus, synth, elecs ad lib, 1994, 
          
        • Kinder-Tutti, S, B, children's chorus, fl, basset-hn, synth, children's orch, elecs ad lib, 1994 
          
      • Zustimmung, S, B, fl, basset-hn, elecs ad lib, [scene from Versuchung] 1994
  • Fall und Reue, S, Bar, B, fl, basset-hn, children's orch, children's chorus, 12 vv, 1 synth, elecs, 12 pairs of dancer-mimes, 1991-4 [Act 2 of Freitag]
    
    • Fall, S, Bar, fl, basset-hn, elecs ad lib, [scene from Fall und Reue] 1994
      
    • Kinder-Krieg, children's chorus, synth, elecs ad lib, [scene from Fall und Reue] 1994
      
    • Reue, S, fl, basset-hn, elecs ad lib, [scene from Fall und Reue]  1994
      
      • Elufa, fl, basset-hn, elecs ad lib, 1991
        
      • Freia, fl, 1991
        
      • Freia, basset-hn, 1991
        
    • Chor Spirale, 3 S, 3 A, 3 T, 3 B, elecs ad lib, [scene from Fall und Reue] 1994
      
  • Komet [Comet] as Klavierstück XVII, for electr pno, tape, elecs, 1994-99
    
  • Komet [Comet], version for a percussionist with tape and elecs, 1994-99
    
• Samstag aus Licht [Saturday from Light], 'modernes Orchester' - 1 v, orchestra of electronic and/or amplified instruments, 2 dancers, mimes, mens chorus, greeting-4 scenes, text by Stockhausen, 1981-3
  
  • Samstags-Gruss (Luzifer-Gruss), 26 brass, 2 perc, 1984 [greeting from Samstag] 
    
  • Luzifers Traum or Klavierstück XIII, B, pf, 1981 [scene 1 of Samstag] 
    
    • Klavierstück XIII (Luzifers Traum), solo pf version, 1981 
      
    • Traumformel, basset-hn, 1981-2 
      
  • Kathinkas Gesang als Luzifers Requiem, fl, 6 perc, 1982-3 [scene 2 of Samstag] 
    
    • Kathinkas Gesang als Luzifers Requiem, version for fl, elecs, 1983 
      
    • Kathinkas Gesang als Luzifers Requiem, version for fl, pf, 1983 
      
  • Luzifers Tanz, B/trbn/euphonium, pic tpt, pic, wind orch/sym. orch, stage pfmrs ad lib (stilt-dancer, dancer, ballet/mimes ad lib), 1983 [scene 3 of Samstag]; performable separately: 
    
    • Linker Augenbrauentanz, fls, basset-hn(s), synth, perc
      
    • Rechter Augenbrauentanz, cls, b cl(s), synth, perc
      
    • Linker Augentanz, sax, synth, perc, rev. 1990
      
    • Rechter Augentanz, obs, eng hns, bns, synth, perc
      
    • Linker Backentanz, tpts, trbns, synth, perc
      
    • Rechter Backentanz, tpts, trbns, synth, perc
      
    • Näsenflügeltanz, perc, elec kbds ad lib
      
    • Oberlippentanz (Protest), pic tpt/(pic tpt, trbns/euphonium, 4/8 hns, 2 perc)
      
    • Zungenspitzenentanz, pic/(pic, euphoniums, perc, dancer ad lib)
      
    • Kinntanz, (euphonium, synth, perc)/(euphonium, a trbn(s), t hn(s), tuba(s), perc), rev. 1984 
      
  • Luzifers Abschied, male vv, org, 7 trbn, 1982 [scene 4 of Samstag]
    
• Sonntag aus licht [Sunday from Light], 'modernes Orchester' - orchestra of electronic and/or amplified instruments, greeting with 5 scenes-farewell (work in progress), text by Stockhausen, 1998-until now
  
  • Lichter -Wasser (Sonntags-gruss) [Lights-Waters (Sunday greeting)], S, T, orch, synth., elecs., [greeting and scene 1 of Sonntag]1998-99
    
  • Engel-Prozessionen, a cappella choir , [scene 2 of Sonntag], 1998-2000
    
  • Hoch-Zeiten, choir and orchestra performing simultaneously in two different, electro-acoustically connected, halls, [scene 5 of Sonntag], 1998-2001
    

Orchestral and large ensemble without electro-acoustic media

• Formel, 28 insts, 1951

• Spiel, orch, 1952

• Punkte, orch, 1952, rev. 1962

• Gruppen, 3 orchs, 1955-7

• Stop, 6 small orch groups, 1965 

• Stop, Paris version, 19 insts, 1969

• Fresco, wall sounds for meditation, 4 orch groups, 1969

• Tierkreis, chbr orch, 1974, rev. 1977

• Jubiläum, orch, 1977

• Europa-Gruss, 8 solo tpt, 1 extra soloist, 240 brass players (4x26 tpt, 4x8 hn, 4x8 ten and bar hn, 4x16 trmb, 2x4 tubas), 1992-5

Vocal music without electro-acoustic media

• Chöre für Doris (P. Verlaine), mixed chorus, 1950: 1 Die Nachtigall, 2 Armer junger Hirt, 3 Agnus Dei

• Drei Lieder, A, fl, 2 cl, bsn, tpt, trbn, 2 perc, pf, hpd, str, 1950: Der Rebell (C. Baudelaire), Frei (anon.), Der Saitenmann (anon.)

• Choral (Stockhausen), SATB, 1950

• Carré, 4 choruses, 4 orchs, 1959-60, partly realized Cardew

• Stimmung (Stockhausen etc.), 2 S, Mez, T, Bar, B, 6 mic, 1968

• Sternklang, Park music for 5 groups, 21 vv and instr., 1971

• Ylem, 19 players/singers, 1972

• Am Himmel wandre ich … (Indianerlieder) [In the Sky I am walking ... (Amerindian chants)], 2 vv, 1972

• Tierkreis, high S/high T, harmony inst, 1974, rev. 1976

• Tierkreis, S/very high T, harmony inst, 1974, rev. 1976 

• Tierkreis, Mez/A/low T, harmony inst, 1974, rev. 1976 

• Tierkreis, Bar, harmony inst, 1974, rev. 1976 

• Tierkreis, B, harmony inst, 1974, rev. 1976

• Atmen gibt das Leben, chorus, 1974; rev. as 'choral opera', chorus, orch/tape, 1977

• Litanei 97, chorus, 1997

• (for other works see the Licht cycle)

Chamber music without electro-acoustic media

• Sonatine, vn, pf, 1951

• Kreuzspiel, ob, b cl, pf, 3 perc, 1951

• Schlagquartett, pf, 6 timp (3 players), 1952; rev. 1974 as Schlagtrio, pf, 6 timp (2 players)

• Kontra-Punkte, fl, cl, b cl, bn, tpt, trbn, pf, hp, vn, vc, 1952, rev. 1953

• Zeitmasze, fl, ob, eng hn, cl, bn, 1955-6

• Refrain, pf + woodblocks, cel + crotales, vib + cowbells + glock, 1959

• Adieu, fl, ob, cl, bn, hn, 1966

• Dr K., sextet, fl, b cl, pf, vib + tubular bells, va, vc, 1968-9

• Ylem, 19 players/singers, 1972

• Laub und Regen [closing duet from Herbstmusik], cl, va, 1974

• Tierkreis, 12 melodies, melody inst and/or harmony inst, 1974: 1 Aquarius, 2 Pisces, 3 Aries, 4 Taurus, 5 Gemini, 6 Cancer, 7 Leo, 8 Virgo, 9 Libra, 10 Scorpio, 11 Sagittarius, 12 Capricorn 

• Tierkreis, cl, pf, 1974, rev. 1981 

• Tierkreis, fl + pic, cl, tpt + pf, 1974, rev. 1983

• Musik im Bauch, 6 perc + music boxes, 1975

• (for other works see the Licht cycle)

Solo instrumental without electro-acoustic media

• Klavierstücke I-IV, 1952

• Klavierstücke V-X, 1954-5, IX-X rev. 1961

• Klavierstück XI, 1956

• Zyklus, perc, 1959

• Tierkreis, 12 melodies, melody inst and/or harmony inst, 1974: 1 Aquarius, 2 Pisces, 3 Aries, 4 Taurus, 5 Gemini, 6 Cancer, 7 Leo, 8 Virgo, 9 Libra, 10 Scorpio, 11 Sagittarius, 12 Capricorn

• Harlekin, cl, 1975 

• Der kleine Harlekin, cl, 1975

• Amour, 5 pieces, cl, 1976 

• Amour, 5 pieces, fl, 1976, rev. 1981

• In Freundschaft, rec/fl/cl/ob/basset-hn/b cl/bn/sax/hn/tpt/trbn/tuba/vn/va/vc/db, 1977

• (for other works see the Licht cycle)

Orchestral and large ensemble with electro-acoustic media

• Mixtur, 5 orch groups, 4 sine-wave generators + 4 ring mod, 1964

• Mixtur, 5 small orch groups, 4 sine-wave generators + 4 ring mod, 1967

• Hymnen, third region, version with orch, 4-track tape, 1969

• Trans, orch, 8-track tape, 1971

• (for other works see the Licht cycle)

Vocal music with electro-acoustic media

• Mikrophonie II (H. Heisenbüttel: Einfache grammatische Meditationen), 6 S, 6 B, Hammond org, 4 ring mod, 4-track tape, 1965

• Momente (Bible: Song of Solomon, M. Bauermeister, Stockhausen etc.), S, 4 choral groups, 4 tpt, 4 trbn, 2 elec org, 3 perc, 1962-4

• Pole, 2 players/2 vv, 2 short-wave receivers, 1969-70

• Expo, 3 players/3 vv, 3 short-wave receivers, 1969-70

• Sirius, S, B, tpt, b cl, elecs, 1975-7; 4 versions for elecs alone: 

  Frühlings-Version

  Sommer-Version

  Herbst-Version

  Winter-Version

• Capricorn, B, elecs, 1977

• Atmen gibt das Leben, chorus, 1974; rev. as 'choral opera', chorus, orch/tape, 1977

• (for other works see the Licht cycle)

Chamber music with electro-acoustic media

• Kontakte, version for pf, + perc, perc, 4-track tape, 1958-60

• Mikrophonie I, tam-tam, 2 mic, 2 filters and potentiometers (6 players), 1964

• Hymnen, version with inst ens and elecs, 1966-7

• Prozession, tam-tam, va, electronium/synth, pf, mics, filters, potentiometers (6 players), 1967

• Kurzwellen, 4 insts, mics, filters, potentiometers, 4 short-wave receivers (6 players), 1968; realized, with music by Beethoven, as Kurzwellen mit Beethoven (Stockhoven-Beethausen Opus 1970), 1969

• Pole, 2 players/2 vv, 2 short-wave receivers, 1969-70

• Expo, 3 players/3 vv, 3 short-wave receivers, 1969-70

• Mantra, 2 pf + woodblock + crotales, 2 sine wave gen. and 2 ring mod, 1969-70

• 3 x Refrain 2000, pf + wood blocks, sampler celesta + 3 antique cym., vib. + 3 cowbells + glock., elecs, 2000

• Europa-Gruss, 4/6/8/etc solo instrs , 4/6/8/etc high winds group, 4/6/8/etc low winds group, synths ad lib., 1992-5

• Stop und Start, 6 instrumental groups (synth1 + b cl, synth2 + trmb, synth3 + basset-hn, synth4 + sax, synth 5 + tpt, synth6 + fl), ?-2002

• (for other works see the Licht cycle)

Solo instrumental with electro-acoustic media

• Solo, melody inst with feedback, 1965-6

• Spiral, soloist, short-wave receiver, 1968

• Aries, tpt, elecs, 1977, rev. 1980 

• Libra, b cl, elecs, 1977

• (for other works see the Licht cycle)

Tape

• Konkrete Etüde, 1-track tape (Paris), 1952

• Elektronische Studien, 1-track tape (Cologne): 

  I, 1953

  II, 1954

• Gesang der Jünglinge (Bible: Daniel), 5 1-track tapes (Cologne), 1955-6; rev. 4-track tape

• Kontakte, 4-track tape (Cologne), 1958-60

• Telemusik, 4-track tape (Tokyo), 1966

• Hymnen, 4-track tape (Cologne), 1966-7

• Sirius, elecs, 1975-7; 4 versions for elecs alone: 

  Frühlings-Version

  Sommer-Version

  Herbst-Version

  Winter-Version

• Two couples, ?

• Electronic and concrete music for Komet, ?

• (for other works see the Licht cycle)

Other works

• Plus-Minus, 2 x 7 pages for elaboration, unspecified forces, 1963

• Aus den sieben Tagen, 15 text pieces, 1968: 1 Richtige Dauern, c4 players; 2 Unbegrenzt, ens; 3 Verbindung, ens; 4 Treffpunkt, ens; 5 Nachtmusik, ens; 6 Abwärts, ens; 7 Aufwärts, ens; 8 Oben und unten (Theaterstück), man, woman, child, 4 insts; 9 Intensität, ens; 10 Setz die Segel zur Sonne, ens; 11 Kommunion, ens; 12 Litanei, spkr/chorus; 13 Es, ens; 14 Goldstaub, small ens; 15 Ankunft, spkr/speaking chorus

• Für kommende Zeiten, 17 text pieces, 1968-70: 1 Übereinstimmung, 2 Verlängerung, 3 Verkürzung, 4 Über die Grenze, 5 Kommunikation, 6 Intervall, 7 Ausserhalb, 8 Innerhalb, 9 Anhalt, 10 Schwingung, 11 Spektren, 12 Wellen, 13 Zugvogel, 14 Vorahnung, 15 Japan, 16 Wach, 17 Ceylon 

• Sternklang, park music for 5 groups, 1971

• Alphabet für Liège, 13 musical scenes for soloists and duos, 1972

• Vortrag über Hu, introductory lecture to Inori, 1v, 1974

• Cadenzas for W.A. Mozart: Clarinet Concerto, k622, 1978 

• Cadenzas for Haydn: Trumpet Concerto, hVIIe:1, 1983-5 

• Cadenza for L. Mozart: Trumpet Concerto, 1984 

• Cadenzas for W.A. Mozart: Flute Concertos, k313 and k314, 1984-5

Principal publishers

• Stockhausen-Verlag 

• Universal